A lyric is a conversation with an audience in which the audience stays silent. It is not poetry. The rules are different.
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How I Teach Lyric Writing
The process
A clear sequence students learn to follow — and eventually internalize — for every lyric they write.
1
Decide the themes
What is this lyric about? Not a topic, not a title — the actual emotional and intellectual content you want to express. List everything. Nothing is too small.
2
Order the themes
Where does the lyric start, where does it turn, where does it land? Themes have a sequence — build it before you write a single line.
3
Choose a form and meter
Blues, ballad, AABA, free verse. Iambic, trochaic, dactylic. Lines of three feet, four, five. The form carries the meaning — pick one that suits the content.
4
Find the right word — etymology
Every English word has a history, and that history tells you what the word is actually doing. Use etymonline.com to find the precise word for the precise meaning.
5
Develop the sound — synonyms and rhyme
Once you know the meaning, find the words that make it sing. Use rhymezone.com for rhymes, near-rhymes, and synonym families that open tonal range.
6
Iterate
Draft. Test against the melody. Go back to etymology when a word feels wrong. Back to rhyme when a line sags. The lyric is finished when nothing can be removed without loss.
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From Scott's Catalog
Worked examples
Five lyrics across forms — from a song addressed to a parent, to a political anthem, to the closing of an opera.
Song Lyric
He's Just a Boy
Scott Thomas Carter
Addressed to a parent who does not see her son.
He's just a boy
not a thing, not a toy.
Boys grow to man.
Who do you think he'll be then?
He's just a boy. He's hardly a teen.
He's more keen and aware…
then I remember you to be
in your so challenged scenes.
Why his life you cannot share
with others? Jealous?
Is this why you hate him so?
You beat him to a pale.
Or, do you hide what
was not his to make.
Young lad — all he has had to do…
He has done!
Still, you force him deep
inside some foreign seed.
You think this, a good steed?
Inside the apple,
inside a bushel, a barrel?
Never does he see the light of day!
Nor, fair light upon others true face.
You've planned his parade
with such hope. That alone
will become a rope
around your neck.
While, you keep him at bay!
He is your son, — to raise!
Challenges to overcome!
Do not toy! He's just a boy,
a kiddo, a kid, a child.
You are so foolish — such beguile.
What ever turns you so.
Someday, he'll turn and know.
Song Lyric
Laddy's Leap
Scott Thomas Carter
A song about a child too alive in his own movement to be held still.
Lit-tle, sim-ple the way he moves a-round me,
Like a moon-beam you try to catch and hold,
Watch him hea-ven, a danc-er shim-mer soft-ly,
E-ven as I hold him, he flees.
Leap-ing all a-round me he will play as he please.
Some-where deep in-side him he is sim-pl-y free
Of all the cares that will tear you a-way
from liv-ing life in har-mo-ny.
Oh, Lad-dy Lad-dy, I build my world a-round you,
Lad-dy Lad-dy, with you there's no blind-fold
Lad-dy, Lad-dy, you're danc-ing for a life-time.
Leap-ing for a life-time of gold
Leap-ing like a life-time of gold
Leap-ing with a life-time of gold
Little, simple the way he moves around me,
Like a moonbeam you try to catch and hold,
Watch him heaven, a dancer shimmer softly,
Even as I hold him, he flees.
Leaping all around me he will play as he please.
Somewhere deep inside him he is simply free
Of all the cares that will tear you away
from living life in harmony.
Oh, Laddy Laddy, I build my world around you,
Laddy Laddy, with you there's no blindfold
Laddy, Laddy, you're dancing for a lifetime.
Leaping for a lifetime of gold
Leaping like a lifetime of gold
Leaping with a lifetime of gold
Fake grandeur — mountains and lions of paper and paste, parading as heroic.
With empty secrets that sprout weeds of lies
Like an opportunistic species that overtakes in disguise
A beauty long forgotten amongst this now corrupted prize
By little men and cowards from lands that grow only lies
These faint-hearted leaders who ride masked atop papier-mâché mountains
Built by idiot hypocrites that know no other skies
So many suffer as these charlatans fool
Easy targets who vote desperately hoping for different tools
Searching for salvation they miss human to human rules
Truths which lay wasted ground to confused and cruel
Made impossible as so defined by papier-mâché lions
Parading as heroes lionized and franchised.
Written for the No Kings movement — easily sung from solo to a crowd.
VERSE· Blues form · slow, intimate
This land of beauty, mountain stream to shore
Good kindly people, each a voice, our lore
Our future's bright, a morning light, speaks for:
CHORUS· Up-tempo, declaratory
Our founding fathers made this land forever for no kings
A daily view we act anew, a perfect union true
We hear the call for one and all, where love and freedom's ring
Forever brave, no kings we march, together we shall sing
Compositional Notes
Form: 12-bar blues verse + 32-bar AABA chorus · Time: 2/4 Rhyme: Verse AAA · Chorus ABBA · Meter: Seven iambic feet per line Spine: Love and freedom are the same thing.
Opera · Act IV, Scene VIII & Epilogue
From HURT and HOPE
Scott Thomas Carter
The final scene and epilogue — many differences making one sound.
Act IV · Scene VIII
These tattered souls
born to a life of scorn
found love.
For one of many declarations
One strong. Of many
Blends, our harmony.
Of many differences:
To make one sound,
harmony a chorus!
For all for us to live free!
We make good our responsibilities.
Then we may choose to choose,
to know our liberties.
A man-made gift. A bounded trust.
A must for sailing seas.
From our green earth to the living sun.
We live our lives, a burst of fun.
For none so true, be red,
white or blue or happy, too.
We inherit our humanity.
Epilogue
Hope's bright light shines right
into hope's truthful end,
when love feels all right.
Why gravitate to inadequate,
ignorant sources, from authorities
who hold false ways.
With no legitimate
creeds to persuade!
Ready to begin writing?
Send Scott a note about what you're working on — a song, a theatrical piece, or just the desire to start.